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John Claridge

JOHN CLARIDGE (1944-2026)

The untimely death of photographer John Claridge came as a double shock. John was a pillar of Mind’s Eye Gallery, having presented seven beautiful exhibitions since 2014: Out of Shadows, The Hardest Game, East End, Les Mineurs, A Vision of India, 70’s New York, and Οradour-sur-Glane, as well as participating in two group shows. Moreover, he had only just finished printing and mailing work for an eighth exhibition at Mind’s Eye, Remembering Autochromes, which is due to open next Thursday, June 4.

John was a true professional and a real pleasure to work with. We always agreed readily on the images for each exhibition, and the prints always arrived in good time, impeccably packed by his wife, Janet. Indeed, all requests were dealt with promptly. This rigour and perfectionism came from a lifetime of working with advertising agencies and magazines, beginning at the age of fifteen when he left school.

We met in the most unlikely of circumstances. During the Mois de la Photo in 2013, there was an opening party for a Japanese artist in a tiny Japanese-run Saint-Germain boutique specialising in Lolita and Gothic fashion. The few pieces of graphic art were dotted about amongst the clothes. A small number of people were squeezed into the cramped space, among them John Claridge. He had just returned from a Pirelli calendar event in Milan and we started chatting, in English. He showed me photos of various prominent fashion photographers, none of whom I recognised (or even knew of), it not being my universe. But it turned out that we were both Londoners, and born only three weeks apart, he in the East End (where my mother was born) and me in North London. He promised to send me a copy of his book One Hundred Photographs, printed in 1988 for an exhibition at Hamiltons Gallery. This resulted in the 2014 exhibition Out of Shadows.

For the past twenty-odd years, John lived with Janet in a small village in the Aveyron. Τhey came up for three openings, The Hardest Game, East End and Les Mineurs. Several British friends were also present, notably a small delegation from the French House in Soho, for East End. We kept in touch regularly, not only in order to plan exhibitions, but to chat about photography. John was very generous with his advice and encouragement, and introduced me to Blurb books, of which he produced several dozen, in quite limited editions; his book on the East End, published by Spitalfields Press, sold out very quickly.

John will be sorely missed, by his many friends, by Mind’s Eye, and by me personally. Further information can be found on the Mind’s Eye website, mindseye.fr.

— Adrian Bondy, May 29, 2026

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Remembering Autochromes

You are warmly invited to the opening of the new exhibition by John Claridge

REMEMBERING AUTOCHROMES

Thursday 4 June 2026, 6pm-10pm


© John Claridge


REMEMBERING AUTOCHROMES

For those  familiar with John Claridge’s personal black and white street photography and portraits (East End, New York, India, Miners, Boxers, Oradour-sur-Glane), this new exhibition will reveal several other aspects of his work. From his debuts in the profession at the age of fifteen, Claridge has mainly worked in advertising, art direction and design, including for the legendary Pirelli calendar. A master printer, of both film and digital images, his love of the particular tonalities of the autochrome, a colour process invented by the Lumière brothers in the early twentieth century, led him to experiment with reproducing their special characteristics using digital techniques. The exhibition Remembering Autochromes presents a wide variety of images unified by this common approach: still lifes, portraits, landscapes, architecture, nature, interiors, …

 © John Claridge


JOHN CLARIDGE

John Claridge was born in London’s East End in 1944. He began taking photographs at the age of eight with a plastic camera won at a local funfair. He left school at fifteen and took a job in the photography department at McCann-Erickson, becoming David Montgomery’s assistant. During his two years there, he was inspired by many, including the legendary designer Robert Brownjohn. When just seventeen, he turned up on the doorstep of Bill Brandt’s Hampstead home to present the renowned photographer with a print, and was received with courtesy and kindness. In 1963, he opened a studio near St. Paul’s Cathedral, specialising in magazine work and advertising. He pursued a career in advertising until recently, producing work for many large corporations. In 1967, he wrote, produced, and shot a controversial short film, Five Soldiers, about the American Civil War, with implicit allusion to the Vietnam War.

John Claridge has authored some fifty books, mostly published by his own company Lizard’s Eye, including Warriors, Heroes, Boxers (2018) and The Miners 1971 (2018), but also notably One Hundred Photographs (1988), for his exhibition at Hamilton’s Gallery, London, and East End (2016), published by Spitalfields Life Books.

He has received numerous awards from many organisations for his work in advertising and design, including London International Advertising Awards, Cannes International Advertising Festival, Design and Art Direction UK, Association of Photographers UK, The One Show New York, Clio Awards Worldwide USA and Creative Circle Awards.

John Claridge’s work is held in museums and private collections worldwide, notably the Arts Council of Great Britain, the Victoria & Albert Museum, the National Portrait Gallery, and the Museum of Modern Art. He exhibits regularly in London.

 © John Claridge


 © John Claridge


EXHIBITION FROM JUNE 4 TO JULY 12 2026

GALLERY HOURS 
SATURDAY AND SUNDAY FROM 2PM TO 7PM
MONDAY TO FRIDAY BY APPOINTMENT AT 06 85 93 41 92

REMINDER: FINAL DAYS OF THE EXHIBITION
ENTRE CHIEN ET FLOU BY DANIEL ANIZON : 
THURSDAY MAY 21 TO SUNDAY MAY 24 2026 FROM 2PM TO 7PM
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Art Photo BcN

Mind’s Eye has been invited to the 13th edition of the salon photo

ART PHOTO BCN

The event takes place this week from 8 to 10 MAY in  Barcelona

We will present photographs by

ANDREI FARCASANU

as well as some by

JOHN CLARIDGE   CHRISTIAN PONCET   COLETTE POURROY



The next exhibition at Mind’s Eye 

JOHN CLARIDGE / REMEMBERING AUTOCHROMES

will be held from THURSDAY JUNE 4 to SUNDAY JULY 12 2026

More details in the next newsletter



For those who have not yet seen our latest exhibition

DANIEL ANIZON / ENTRE CHIEN ET FLOU

it will be prolonged from THURSDAY MAY 14 to SUNDAY MAY 24 2026

Le Bès, été 2019 © Daniel Anizon
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Last Days

Just a few days remain to visit the exhibition

DANIEL ANIZON / ENTRE CHIEN ET FLOU

which ends on SUNDAY MAY 3, 2026

Daniel Anizon will be at the gallery on Thursdays and Fridays from 4 to 7 pm


Norilsk, 1995, Lénine © Daniel Anizon

Photographs captured primarily at dusk—a time when shadows lengthen, colours are transformed by the fading light, and a sense of mystery pervades the scene.
Vintage gelatin silver prints of a snowbound Russia in the early nineties, alongside recent digital colour prints of Aubrac and Japan.

Peyrebesse, hiver 2020 © Daniel Anizon

Le Bès, été 2019 © Daniel Anizon

Yanaka, 2023 © Daniel Anizon
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Entre chien et flou

Daniel Anizon

March 26 – May 3, 2026

in presence of the artist

6pm – 10pm


Japan 2025 © Daniel Anizon

ENTRE CHIEN ET FLOU
As the title suggests, the photographs in this exhibition were captured primarily at dusk—a time when shadows lengthen, colours are transformed by the fading light, and a sense of mystery pervades the scene. The blur is not an aesthetic choice but a natural corollary of the photographer’s way of working. As he walks along, images come to him obliquely, much like memories glimpsed in a dream. Sharpness is not what interests him — he is in motion when pressing the shutter, whence the resulting blur. The colours proliferate, creating a third dimension in the landscape.The exhibition features the artist’s vintage gelatin silver prints from the early nineties, made while wandering aimlessly through a snowbound Russia that had itself lost its bearings after perestroïka, alongside his recent digital colour prints (2018-2025) set in the familiar surroundings of Aubrac and, at the other extreme, Japan.

 Norilsk 1995 © Daniel Anizon

DANIEL ANIZON
Born in Nantes and based between Paris and Aubrac, Daniel Anizon is a photographer-author with an unconventional background. After completing a PhD in Economics in 1973, he spent three years travelling the world alone without a camera—a foundational experience recounted in his 2021 memoir Sans raison ni maison. He first took up photography in 1982, and his artistic vision was further shaped by his discovery of Japan in 2018.
His career is marked by prestigious distinctions, notably the Prix Ilford (1984), the Prix Médicis Hors les Murs (1987) for his work on Canadian trappers, and the Prix News at the Rencontres d’Arles (1988). He has held international residencies in Canada and the United States, and celebrated 40 years of photography with a presentation at Gens d’images/ADAGP in Paris in 2024.
His works are featured in major public collections, including the Musée d’Art Moderne de la Ville de Paris and the Bibliothèque Nationale de France. Still active today, he recently exhibited at the Maison Heinrich Heine in Paris (2021) as well as at the Galerie Mind’s Eye in 2026.

Aubrac 2018 © Daniel Anizon

Mind’s Eye / Galerie Adrian Bondy
221 rue Saint-Jacques
75005 PARIS
06 85 93 41 92
adrian.bondy@mindseye.fr
www.mindseye.fr
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Evening at Mind’s Eye


Les Tirages Argentiques

Takehiko Nakafuji 

 Thursday January 29, 2026
4pm – 8pm



49 silver prints — 25 on the walls, 24 in the rack

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Les Tirages Argentiques

Takehiko Nakafuji


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Takehiko Nakafuji

Les Tirages Argentiques

First of all, we wish you a New Year filled with wonderful moments and stimulating encounters.


© Takehiko Nakafuji 

This is an exhibition of vintage silver prints by Takehiko Nakafuji, many of which were featured in his 2013 exhibition at Mind’s Eye, Enter the Mirror. The press release for that exhibition includes texts by Daido Moriyama, Mark Pearson and Takehiko Nakafuji.


© Takehiko Nakafuji

Born in Tokyo in 1970, Takehiko Nakafuji graduated from the Photography Department of Tokyo Visual Arts College. In addition to his work as a photographer, he is the owner of Gallery Niépce in Yotsuya, Tokyo. He has published ten books on street photography, predominantly in black and white, and travels extensively for photo assignments, including to Russia, Cuba, China, Hong Kong, Paris, New York, and Eastern Europe. He has held numerous solo and group exhibitions both in Japan and overseas. His work is held in three Japanese museums, the Kiyosato Museum of Photo Art, the Tokyo Photographic Art Museum, and the Shunan City Museum of Art and
History in Yamaguchi.


© Takehiko Nakafuji


© Takehiko Nakafuji


© Takehiko Nakafuji

Visits by appointment at 06 85 93 41 92. Don’t hesitate, come and enjoy the exhibition. We welcome visitors.

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The Silver Prints

Takehiko Nakafuji

6pm-10pm 


 © Takehiko Nakafuji 

In view of the success of Takehiko Nakafuji’s current exhibition, Down on the Street, we have decided to extend it until the end of the year and to follow it with a hanging of his vintage silver prints, many of which we showed in his 2013 Mind’s Eye exhibition Enter the Mirror.

Please note that, except for the opening party of this new exhibition on Thursday, January 8, 2026, all visits will be by appointment – a simple call or text message to 06 85 93 41 92 is all that is needed. We hope to see many of our regular visitors as well as a journalist or two, among others.


© Takehiko Nakafuji

Born in Tokyo in 1970, Takehiko Nakafuji graduated from the Photography Department of Tokyo Visual Arts College. In addition to his work as a photographer, he is the owner of Gallery Niépce in Yotsuya, Tokyo. He has published ten books on street photography, predominantly in black and white, and travels extensively for photo assignments, including to Russia, Cuba, China, Hong Kong, Paris, New York, and Eastern Europe. He has held numerous solo and group exhibitions both in Japan and overseas. His work is held in three Japanese museums, the Kiyosato Museum of Photo Art, the Tokyo Photographic Art Museum, and the Shunan City Museum of Art and History in Yamaguchi.


© Takehiko Nakafuji


© Takehiko Nakafuji


© Takehiko Nakafuji
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Down on the Street

Takehiko Nakafuji 

October 25 – December 14, 2025

in presence of the artist

6pm-10pm

© Takehiko Nakafuji

The exhibition Down on the Street has just opened. Photographer Takehiko Nakafuji will be in Paris from November 5 to 17 and will attend the opening reception on Thursday, November 13. A few copies of his book Down on the Street will be available at the gallery. If you would like to meet Takehiko Nakafuji at some other time, please contact the gallery.

© Takehiko Nakafuji