The Jeweler © Neal SlavinPORTUGAL 1967 Starting on October 24, we will present an exhibition of photographs of Portugal taken in 1967–1968 by the American photographer and filmmaker Neal Slavin during his tenure of a Fulbright Fellowship. These photographs are included in a book he published with Lustrum Press in 1971. Extract from the preface of the book: I lived in Portugal as a Fulbright Fellow in 1968 at the height of the Vietnam War. While my main project was to photograph archeological surveys, I couldn’t help seeing the plight of the people living under the extreme nightmare of Salazar’s dictatorship. Even though it was against the government’s stated wishes, and in some cases its laws, I was drawn to photograph the Portuguese people, who I came to love. Salazar managed to be hated by everyone in Portugal – the right, the left, the poor and the rich. The one class that didn’t hate him was the middle class, because there was none. Few people outside of Portugal knew or cared about this dictatorial tyrant who wielded power on the Iberian Peninsula alongside his more well-known Spanish Fascist contemporary, the despot Francisco Franco. These are not pictures of people at war but of people in submission. There are no military strong-arm pictures here but instead pictures of a class divide of great magnitude. – Neal Slavin Girl on a Train © Neal SlavinNEAL SLAVIN Neal Slavin is a photographer and filmmaker best known for his pioneering work in the field of colour group portraits, which he began in the 1970s. He has published three books on this subject: When Two or More Are Gathered Together (1976), Britons (1986), and a new edition of the first, released to mark its fiftieth anniversary and published by Damiani Books. His work on Britons was created using a massive 20 x 24-inch Polaroid camera. In 2001, Neal Slavin directed the feature film Focus, adapted from a novel by Arthur Miller, and has just completed a feature-length documentary titled Saudade—A Love Letter to Portugal. Slavin’s works are held in major art institutions around the world, including the Metropolitan Museum of Art, the Bibliothèque nationale de France, and the National Portrait Gallery in Washington, D.C. Neal Slavin will be with us during Paris Photo week. We are hosting a reception for him on Saturday, November 14, 2026. On this occasion, he will be signing copies of the book When Two or More Are Gathered Together. Funeral Car © Neal Slavin Men on Tivoli Street © Neal Slavin![]() Girl with Long Hair © Neal Slavin ![]() LAST DAYS ! JOHN CLARIDGE / REMEMBERING AUTOCHROMES UNTIL SUNDAY 11 OCTOBER EXHIBITION PORTUGAL 1967 24 OCTOBER – 13 DECEMBER 2026 VERNISSAGE IN PRESENCE OF NEAL SLAVIN SATURDAY 14 NOVEMBER FROM 5PM TO 9PM |
This autumn at Mind’s Eye
JOHN CLARIDGE / NEAL SLAVIN
Mind’s Eye is delighted to embark on its fifteenth year of activity and exhibitions. This month, we have chosen to prolong John Claridge’s exhibition ‘Remembering Autochromes’, last summer having been spoiled by the unprecedented series of heat waves. The exhibition will therefore run until October 11, 2026. As before, the gallery will be open every weekend with the exception of Sunday, September 20 and also on weekdays by appointment.
From October 24, we will present an exhibition of photographs of Portugal taken in 1967 by the American photographer and filmmaker Neal Slavin. Known mainly for his group photographs made with a gigantic 20×24-inch Polaroid camera, Neal Slavin has published two books on this theme, ‘When Two or More are Gathered Together’ and ‘Britons’. A new edition of the former, on its fiftieth anniversary, was published last year by Damiani Books. Neal Slavin directed the 2001 feature film ‘Focus’, based on a novel by Arthur Miller. He will be with us in Paris during the week of Paris Photo, and we are postponing the opening to coincide with his visit. The exact date will be communicated later. On this occasion, Neal Slavin will sign copies of ‘When Two or More are Gathered Together’.
© John Claridge © Neal Slavin © Neal SlavinEXHIBITION JOHN CLARIDGE FROM SEPTEMBER 12 TO OCTOBER 11 2026 EXHIBITION NEAL SLAVIN FROM OCTOBER 24 TO DECEMBER 13 2026 |
| an appetizer before the Rencontres d’Arles exhibition ends July 12, 2026 JOHN CLARIDGE / REMEMBERING AUTOCHROMES these are sadly John Claridge’s final prints ![]() © John Claridge © John Claridge © John Claridge © John Claridge |
John Claridge
JOHN CLARIDGE (1944-2026)
The untimely death of photographer John Claridge came as a double shock. John was a pillar of Mind’s Eye Gallery, having presented seven beautiful exhibitions since 2014: Out of Shadows, The Hardest Game, East End, Les Mineurs, A Vision of India, 70’s New York, and Οradour-sur-Glane, as well as participating in two group shows. Moreover, he had only just finished printing and mailing work for an eighth exhibition at Mind’s Eye, Remembering Autochromes, which is due to open next Thursday, June 4.
John was a true professional and a real pleasure to work with. We always agreed readily on the images for each exhibition, and the prints always arrived in good time, impeccably packed by his wife, Janet. Indeed, all requests were dealt with promptly. This rigour and perfectionism came from a lifetime of working with advertising agencies and magazines, beginning at the age of fifteen when he left school.
We met in the most unlikely of circumstances. During the Mois de la Photo in 2013, there was an opening party for a Japanese artist in a tiny Japanese-run Saint-Germain boutique specialising in Lolita and Gothic fashion. The few pieces of graphic art were dotted about amongst the clothes. A small number of people were squeezed into the cramped space, among them John Claridge. He had just returned from a Pirelli calendar event in Milan and we started chatting, in English. He showed me photos of various prominent fashion photographers, none of whom I recognised (or even knew of), it not being my universe. But it turned out that we were both Londoners, and born only three weeks apart, he in the East End (where my mother was born) and me in North London. He promised to send me a copy of his book One Hundred Photographs, printed in 1988 for an exhibition at Hamiltons Gallery. This resulted in the 2014 exhibition Out of Shadows.
For the past twenty-odd years, John lived with Janet in a small village in the Aveyron. Τhey came up for three openings, The Hardest Game, East End and Les Mineurs. Several British friends were also present, notably a small delegation from the French House in Soho, for East End. We kept in touch regularly, not only in order to plan exhibitions, but to chat about photography. John was very generous with his advice and encouragement, and introduced me to Blurb books, of which he produced several dozen, in quite limited editions; his book on the East End, published by Spitalfields Press, sold out very quickly.
John will be sorely missed, by his many friends, by Mind’s Eye, and by me personally. Further information can be found on the Mind’s Eye website, mindseye.fr.
— Adrian Bondy, May 29, 2026
Remembering Autochromes
| You are warmly invited to the opening of the new exhibition by John Claridge REMEMBERING AUTOCHROMES Thursday 4 June 2026, 6pm-10pm ![]() © John Claridge REMEMBERING AUTOCHROMES For those familiar with John Claridge’s personal black and white street photography and portraits (East End, New York, India, Miners, Boxers, Oradour-sur-Glane), this new exhibition will reveal several other aspects of his work. From his debuts in the profession at the age of fifteen, Claridge has mainly worked in advertising, art direction and design, including for the legendary Pirelli calendar. A master printer, of both film and digital images, his love of the particular tonalities of the autochrome, a colour process invented by the Lumière brothers in the early twentieth century, led him to experiment with reproducing their special characteristics using digital techniques. The exhibition Remembering Autochromes presents a wide variety of images unified by this common approach: still lifes, portraits, landscapes, architecture, nature, interiors, … © John ClaridgeJOHN CLARIDGE John Claridge was born in London’s East End in 1944. He began taking photographs at the age of eight with a plastic camera won at a local funfair. He left school at fifteen and took a job in the photography department at McCann-Erickson, becoming David Montgomery’s assistant. During his two years there, he was inspired by many, including the legendary designer Robert Brownjohn. When just seventeen, he turned up on the doorstep of Bill Brandt’s Hampstead home to present the renowned photographer with a print, and was received with courtesy and kindness. In 1963, he opened a studio near St. Paul’s Cathedral, specialising in magazine work and advertising. He pursued a career in advertising until recently, producing work for many large corporations. In 1967, he wrote, produced, and shot a controversial short film, Five Soldiers, about the American Civil War, with implicit allusion to the Vietnam War. John Claridge has authored some fifty books, mostly published by his own company Lizard’s Eye, including Warriors, Heroes, Boxers (2018) and The Miners 1971 (2018), but also notably One Hundred Photographs (1988), for his exhibition at Hamilton’s Gallery, London, and East End (2016), published by Spitalfields Life Books. He has received numerous awards from many organisations for his work in advertising and design, including London International Advertising Awards, Cannes International Advertising Festival, Design and Art Direction UK, Association of Photographers UK, The One Show New York, Clio Awards Worldwide USA and Creative Circle Awards. John Claridge’s work is held in museums and private collections worldwide, notably the Arts Council of Great Britain, the Victoria & Albert Museum, the National Portrait Gallery, and the Museum of Modern Art. He exhibits regularly in London. © John Claridge © John ClaridgeEXHIBITION FROM JUNE 4 TO JULY 12 2026 GALLERY HOURS SATURDAY AND SUNDAY FROM 2PM TO 7PM MONDAY TO FRIDAY BY APPOINTMENT AT 06 85 93 41 92 REMINDER: FINAL DAYS OF THE EXHIBITION ENTRE CHIEN ET FLOU BY DANIEL ANIZON : THURSDAY MAY 21 TO SUNDAY MAY 24 2026 FROM 2PM TO 7PM |
Art Photo BcN
| Mind’s Eye has been invited to the 13th edition of the salon photo ART PHOTO BCN The event takes place this week from 8 to 10 MAY in Barcelona We will present photographs by ANDREI FARCASANU as well as some by JOHN CLARIDGE CHRISTIAN PONCET COLETTE POURROY ![]() The next exhibition at Mind’s Eye JOHN CLARIDGE / REMEMBERING AUTOCHROMES will be held from THURSDAY JUNE 4 to SUNDAY JULY 12 2026 More details in the next newsletter ![]() For those who have not yet seen our latest exhibition DANIEL ANIZON / ENTRE CHIEN ET FLOU it will be prolonged from THURSDAY MAY 14 to SUNDAY MAY 24 2026 Le Bès, été 2019 © Daniel Anizon |
Just a few days remain to visit the exhibition
DANIEL ANIZON / ENTRE CHIEN ET FLOU
which ends on SUNDAY MAY 3, 2026
Daniel Anizon will be at the gallery on Thursdays and Fridays from 4 to 7 pm
![]() Norilsk, 1995, Lénine © Daniel AnizonPhotographs captured primarily at dusk—a time when shadows lengthen, colours are transformed by the fading light, and a sense of mystery pervades the scene. Vintage gelatin silver prints of a snowbound Russia in the early nineties, alongside recent digital colour prints of Aubrac and Japan. Peyrebesse, hiver 2020 © Daniel Anizon Le Bès, été 2019 © Daniel Anizon Yanaka, 2023 © Daniel Anizon |
Entre chien et flou
Daniel Anizon
March 26 – May 3, 2026
opening party: Thursday March 26
in presence of the artist
6pm – 10pm
Japan 2025 © Daniel AnizonENTRE CHIEN ET FLOU As the title suggests, the photographs in this exhibition were captured primarily at dusk—a time when shadows lengthen, colours are transformed by the fading light, and a sense of mystery pervades the scene. The blur is not an aesthetic choice but a natural corollary of the photographer’s way of working. As he walks along, images come to him obliquely, much like memories glimpsed in a dream. Sharpness is not what interests him — he is in motion when pressing the shutter, whence the resulting blur. The colours proliferate, creating a third dimension in the landscape.The exhibition features the artist’s vintage gelatin silver prints from the early nineties, made while wandering aimlessly through a snowbound Russia that had itself lost its bearings after perestroïka, alongside his recent digital colour prints (2018-2025) set in the familiar surroundings of Aubrac and, at the other extreme, Japan. Norilsk 1995 © Daniel AnizonDANIEL ANIZON Born in Nantes and based between Paris and Aubrac, Daniel Anizon is a photographer-author with an unconventional background. After completing a PhD in Economics in 1973, he spent three years travelling the world alone without a camera—a foundational experience recounted in his 2021 memoir Sans raison ni maison. He first took up photography in 1982, and his artistic vision was further shaped by his discovery of Japan in 2018. His career is marked by prestigious distinctions, notably the Prix Ilford (1984), the Prix Médicis Hors les Murs (1987) for his work on Canadian trappers, and the Prix News at the Rencontres d’Arles (1988). He has held international residencies in Canada and the United States, and celebrated 40 years of photography with a presentation at Gens d’images/ADAGP in Paris in 2024. His works are featured in major public collections, including the Musée d’Art Moderne de la Ville de Paris and the Bibliothèque Nationale de France. Still active today, he recently exhibited at the Maison Heinrich Heine in Paris (2021) as well as at the Galerie Mind’s Eye in 2026. Aubrac 2018 © Daniel AnizonMind’s Eye / Galerie Adrian Bondy 221 rue Saint-Jacques 75005 PARIS 06 85 93 41 92 adrian.bondy@mindseye.fr www.mindseye.fr |
Evening at Mind’s Eye
Les Tirages Argentiques Takehiko Nakafuji Thursday January 29, 2026 4pm – 8pm |
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![]() ![]() ![]() ![]() 49 silver prints — 25 on the walls, 24 in the rack |
Les Tirages Argentiques
Takehiko Nakafuji
Exhibition : January 8 – February 15, 2026
by appointment at 06 85 93 41 92
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The Jeweler © Neal Slavin
Girl on a Train © Neal Slavin
Funeral Car © Neal Slavin
Men on Tivoli Street © Neal Slavin

© John Claridge
© Neal Slavin
© Neal Slavin
© John Claridge
© John Claridge
© John Claridge
© John Claridge
© John Claridge
© John Claridge

Le Bès, été 2019 © Daniel Anizon
Norilsk, 1995, Lénine © Daniel Anizon
Peyrebesse, hiver 2020 © Daniel Anizon
Le Bès, été 2019 © Daniel Anizon
Yanaka, 2023 © Daniel Anizon
Japan 2025 © Daniel Anizon
Norilsk 1995 © Daniel Anizon
Aubrac 2018 © Daniel Anizon





