SOLO EXHIBITIONS
- 2016 East End and Portraits, The Society Club, London
- 2016 East End, Mind’s Eye / Galerie Adrian Bondy, Paris
- 2016 East End and Portraits, The Stash Gallery, London
- 2016 East End, The French House, London
- 2015 The Hardest Game, Mind’s Eye / Galerie Adrian Bondy, Paris
- 2014 Out of Shadows, Mind’s Eye / Galerie Adrian Bondy, Paris
- 2009 Paris Stamp Collection, Hilary Bradford Gallery, Milan
- 2009 Faces of Soho, The French House, London
- 2004 Silent Ballads, The Association of Photographers Gallery, London
- 2003 In Shadows I Dream, The French House, London
- 2002 8 Hours, The French House, London
- 2000 Seven Days in Havana, The Association of Photographers Gallery, London 2000 Malmaison, 54 The Gallery, London
- 1993 East London, The Association of Photographers Gallery, London
- 1992 Warm in the Shadows, Cold in the Sun, The Royal Photographic Society, Bath
- 1992 Warm in the Shadows, Cold in the Sun, The National Theatre, London
- 1991 The MacIntyre Project, Coventry Cathedral, Coventry
- 1990 The MacIntyre Project, Imagination Gallery, London
- 1988 One Hundred Photographs, Hamiltons Gallery, London
- 1988 One Hundred Photographs, Canon Gallery, Amsterdam
- 1982 South American Portfolio, The Photographers’ Gallery, London
- 1980 Black & White Documentary, Gallery of Photography, Ireland
- 1980 Commercial & Editorial, Photography Gallery, New York
- 1979 Observations, Gallery 48, London
- 1979 Inde, Evans Gallery, Paris
- 1978 India, Pentax Gallery, London
- 1978 Retrospective, The Photographers’ Gallery, London
- 1976 Black & White Documentary, Marcuse Pfeifer, New York
- 1972 Black & White Documentary, Half Moon Gallery, London
- 1970 New York and London, Nikon House Gallery, New York
- 1970 John Claridge, Nikon House Gallery, Paris
- 1970 Images, Images Gallery, New York
- 1970 Kodak House, London
- 1969 Institute of Contemporary Arts, London
- 1968 Serpentine Gallery, London
- 1966 Black & White Documentary, Do Not Bend, London
- 1961 East London, McCann Gallery, London
The photography critic and historian Helena Srakočić-Kovač on John Claridge:
When you decided to pull back from advertising … which, I think, is such a shame because you revolutionised it and elevated it to an art form … you have been substituting it with work of equivalent value, guts and visual strength but so very different … so much to see … to me at times it appears as if it’s not yours … unstructured and scattered in its beauty … you used to tell stories and now it’s more about feelings and moments in life …