France – Mind's Eye

Daniel Anizon

March 26 – May 3, 2026

opening party: Thursday March 26

in presence of the artist

6pm – 10pm

Japan 2025 © Daniel Anizon

ENTRE CHIEN ET FLOU
As the title suggests, the photographs in this exhibition were captured primarily at dusk—a time when shadows lengthen, colours are transformed by the fading light, and a sense of mystery pervades the scene. The blur is not an aesthetic choice but a natural corollary of the photographer’s way of working. As he walks along, images come to him obliquely, much like memories glimpsed in a dream. Sharpness is not what interests him — he is in motion when pressing the shutter, whence the resulting blur. The colours proliferate, creating a third dimension in the landscape.The exhibition features the artist’s vintage gelatin silver prints from the early nineties, made while wandering aimlessly through a snowbound Russia that had itself lost its bearings after perestroïka, alongside his recent digital colour prints (2018-2025) set in the familiar surroundings of Aubrac and, at the other extreme, Japan.

Norilsk 1995 © Daniel Anizon

DANIEL ANIZON
Born in Nantes and based between Paris and Aubrac, Daniel Anizon is a photographer-author with an unconventional background. After completing a PhD in Economics in 1973, he spent three years travelling the world alone without a camera—a foundational experience recounted in his 2021 memoir Sans raison ni maison. He first took up photography in 1982, and his artistic vision was further shaped by his discovery of Japan in 2018.
His career is marked by prestigious distinctions, notably the Prix Ilford (1984), the Prix Médicis Hors les Murs (1987) for his work on Canadian trappers, and the Prix News at the Rencontres d’Arles (1988). He has held international residencies in Canada and the United States, and celebrated 40 years of photography with a presentation at Gens d’images/ADAGP in Paris in 2024.
His works are featured in major public collections, including the Musée d’Art Moderne de la Ville de Paris and the Bibliothèque Nationale de France. Still active today, he recently exhibited at the Maison Heinrich Heine in Paris (2021) as well as at the Galerie Mind’s Eye in 2026.

Aubrac 2018 © Daniel Anizon

Mind’s Eye / Galerie Adrian Bondy
221 rue Saint-Jacques
75005 PARIS
06 85 93 41 92
adrian.bondy@mindseye.fr
www.mindseye.fr

John Claridge

June 8 – July 14, 2024

Special evening: Monday June 10

6pm – 9pm

ORADOUR

This exhibition marks the 80th anniversary of the Oradour-sur-Glane massacre. On 10 June 1944, 643 inhabitants of this Limousin village were simultaneously executed by the Waffen SS and its buildings burnt down. The ruins have been preserved as a memorial to this humanitarian disaster.
Today’s terrible events are a grim reminder of man’s capacity for the worst horrors. Unfortunately, Oradour is just one of the uncountable such atrocities committed throughout the history of the world.
John Claridge visited Oradour-sur-Glane in February 2014. Our exhibition presents the powerful and moving photographs he brought back, recalling Piranesi’s magnificent etchings of the ruins of Rome.

It was a cold, early morning with a gusty wind that sent shivers down my spine. The heavy rain and threatening, dark clouds did not help.
As I took my first steps into Oradour-sur-Glane, it was deserted and filled with a sense of foreboding. Every street, building, automobile and house seemed to belong to a terrible sadness.
I had a feeling of entering, not just another time, but another dimension, with no escape.   — John Claridge

JOHN CLARIDGE

John Claridge was born in London’s East End in 1944. He began taking photographs at the age of eight with a plastic camera won at a local funfair. He left school at fifteen and took a job in the photography department at McCann-Erickson, becoming David Montgomery’s assistant. During his two years there, he was inspired by many, including the legendary designer Robert Brownjohn. When just seventeen, he turned up on the doorstep of Bill Brandt’s Hampstead home to present the renowned photographer with a print, and was received with courtesy and kindness. In 1963, he opened a studio near St. Paul’s Cathedral, specialising in magazine work and advertising. He pursued a career in advertising until recently, producing work for many large corporations. In 1967, he wrote, produced, and shot a controversial short film, Five Soldiers, about the American Civil War, with implicit allusion to the Vietnam War.

John Claridge has authored some fifty books, mostly published by his own company Lizard’s Eye, including Warriors, Heroes, Boxers (2018) and The Miners 1971 (2018), but also notably One Hundred Photographs (1988), for his exhibition at Hamilton’s Gallery, London, and East End (2016), published by Spitalfields Life Books.

He has received numerous awards from many organisations for his work in advertising and design, including London International Advertising Awards, Cannes International Advertising Festival, Design and Art Direction UK, Association of Photographers UK, The One Show New York, Clio Awards Worldwide USA and Creative Circle Awards.

John Claridge’s work is held in museums and private collections worldwide, notably the Arts Council of Great Britain, the Victoria & Albert Museum, the National Portrait Gallery, and the Museum of Modern Art. He exhibits regularly in London.